He mentions it in the same sentense as "Bach, one of the greatest transcribers of all time" in the State of Wonder Interview (I think).
>From: Lluís Manent i Tomas
>Reply-To: Lluís Manent i Tomas
>To: F_MINOR@EMAIL.RUTGERS.EDU
>Subject: [F_MINOR] GG and the Concerto after A. Marcello
>Date: Mon, 1 Mar 2004 14:08:49 +0100
>
>Dear F-minors,
>
>In "The question of the Instrument" GG says to Moinsangeon he doesn't actually like Bach's italian pieces (i.e. Italian concerto, Cromatic Fantasy) and that "those pieces are the kind of music Bach's sons would like the old man to compose". Gould argues that pieces like the Cromatic Fantasy are intended to serve and to exploit the sonority of the instrument per se and and do not correspond to Bach's natural musical language. He also says ironicaly that the Cromatic Fantasy could serve as sound track of a Hitchcock movie :)
>
>My question is:
>
>Did Gould publish or give his opinion on the Concert after Marcello? Did he like it? Did he performed it sometimes in public concerts? His studio performance is really great! I didn't found any GG comment on that work in any interview (Page, Moinsangeon) nor in articles or booklets.
>
>Thanks i.a. for you comments,
>
>Lluís
>
>
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