[f_minor] John Sankey's MIDI treasury of Byrd's compositions
bpl at umich.edu
Thu Aug 19 07:44:32 EDT 2010
I listened to "Go from my Window" there, and got the impression that
Sankey wasn't actually playing it on a keyboard, but rather creating the
MIDI files from score in a different way: mechanically. (Same remarks,
vis-a-vis his Scarlatti....) It seems metrically stiff, and I didn't
get any sense of "play", or any of the expressive irregularities that
would come from using period fingerings, or the physical gestures of
playing the instrument.
This is music that I play myself, for personal pleasure and occasionally
for harpsichord concerts, and I don't expect to return to this Sankey
set much (if at all) as a listener. I'd expect a real recording to
offer me some musical insights and pleasures that I wouldn't get merely
looking at a score, and this isn't doing it for me.
To hear Byrd's music played well on real harpsichords, start with "My
Ladye Nevells Booke" played by Elizabeth Farr on Naxos:
There are many other fine recordings, as well.
On 8/19/2010 12:54 AM, Robert Merkin wrote:
> An enormous free treasury of MIDIs of William Byrd's (1543 - 1623)
> keyboard compositions, most or all by John Sankey, can be found at
> The MIDIs appear to simulate the virginal, although in Byrd's day,
> virginal was used as a general term and could mean the harpsichord. If
> anyone dives into this site for the huge pleasure there, I'd be grateful
> for any insights into the specific kinds of sounds Mr. Sankey, who
> styles himself "Harpsichordist to the Internet," has shaped in these
> MIDIs. Sankey's bio says he was an Associate at the Royal Conservatory
> of Toronto when he was 16.
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