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Re: GG: Fingering, Memory

To: F_MINOR@email.rutgers.edu
Subject: Re: GG: Fingering, Memory
From: Juozas Rimas <JuozasRimas@TAKAS.LT>
Date: Fri, 20 Apr 2001 20:01:11 +0200
Delivered-to: F_MINOR@EMAIL.RUTGERS.EDU
References: <5.1.0.14.0.20010420122146.04f48150@b.imap.itd.umich.edu>
Reply-to: Juozas Rimas <JuozasRimas@TAKAS.LT>
Sender: "Mailing list devoted to the discussion of Glenn Gould's work and life." <F_MINOR@email.rutgers.edu>

> I wonder how different Gould would have sounded if he'd played from score
> instead of always from memory.  He was already detail-oriented (but also
> sometimes arbitrary or capricious in detail, such as note lengths); would
> his performances have been even more detailed?  More imaginative?  Less
> imaginative?

So is it confirmed that he always played from memory? Both during his concerts
AND studio recordings?

Juozas Rimas Jr
http://mp3.com/JuozasRimas

References:
- GG: Fingering, Memory
  - From: Bradley Lehman <bpl@umich.edu>

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