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Goldberg Variations

To: F_MINOR@email.rutgers.edu
Subject: Goldberg Variations
From: Anne Smith <smithqa@nexicom.net>
Date: Thu, 6 Dec 2001 08:38:34 -0500
Comments: To: madiva <madiva@working.it>
Delivered-to: f_minor@email.rutgers.edu
References: <000401c17b4b$647a8800$0201a8c0@valeria> <000901c17b9a$faddbb60$136ea8d8@v1h7i5> <000401c17cea$e27b2fc0$0201a8c0@valeria>
Reply-to: Anne Smith <smithqa@nexicom.net>
Sender: "Mailing list devoted to the discussion of Glenn Gould's work and life." <F_MINOR@email.rutgers.edu>

Valeria said:
> I try to transmit You the contents of Chapter 4 (the summary ):

Thank you.

I have heard that the Goldberg Variations were a perfect circle in Glenn
Gould's live.  One reason for this saying is the fact that this was his
first and his last recording.

> This piece is the"Milestone"around which he built His "thought system".

I have heard this before too.
Does anyone have any ideas about this.

Anne

Follow-Ups:
- Re: Goldberg Variations
  - From: Glenn Gould <glenngould@beethoven.com>
- Chaccone
  - From: William Arsenis <warsenis@yahoo.com>

References:
- The Italian Book "Glenn Gould - l'Immaginazione al Pianoforte
  - From: madiva <madiva@working.it>
- Re: The Italian Book "Glenn Gould - l'Immaginazione al Pianoforte
  - From: Anne Smith <smithqa@nexicom.net>
- R: The Italian Book "Glenn Gould - l'Immaginazione al Pianoforte
  - From: madiva <madiva@working.it>

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