(Her [Grimaud's] real practising, she adds,
comes away from the piano, reading a score, with an occasional foray to the
keyboard to check out an idea.). She considers Gould a soul mate in part
because of the way his recordings eerily certify things she has already
done on her own she said. She discovered to her delight that Gould
corrected the same "wrong" notes in Brahms's Opus 118 that she did. And
like him, she often breaks chords by playing one hand slightly before the
other - unusually, the right hand first."