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RE: not in _Time_
With all of the hype surrounding "the Maestro". I am surprised that
Arturo Toscanini wasn't listed. BTW I am not a Toscanini fan.
Eric Cline x 8116
Senior R & D Chemist
Emulsion, Urethane & UV Polymer Synthesis
Sun Chemical Business Team
e-mail: eric.cline@reichhold.com
http://www.reichhold.com
> ----------
> From: Bradley P Lehman[SMTP:bpl@umich.edu]
> Sent: Wednesday, June 03, 1998 10:55 AM
> To: f_minor mailing list
> Subject: GG: not in _Time_
>
> Got the June 8th _Time_ magazine yesterday, the one whose cover
> features
> "100 Artists and Entertainers of the Century." I tried a guessing
> game:
> which classical musicians would be chosen for that category?
>
> I knew they'd pick Stravinsky as #1 because I'd peeked at visual arts
> already and they'd chosen Picasso there, so the parallel was obvious.
> After that, my guess was that Bernstein would be in the top few
> because of
> his extremely influential work as conductor, composer (sort of a
> classical
> fusionist), pianist, and educator of the public, the ideal all-around
> popularizing disciple for classical music. Then the other list
> choices
> would be up to _Time's_ whims. Would GG make it?
>
> Sure enough, Stravinsky won "The Classical Musician" for his
> compositional
> influence, and it mentioned also his exciting conducting. (Didn't
> mention
> his huge influence on minimal-interpretation performance styles, which
> I'm
> sure Taruskin would have brought out if he'd been on the panel.) Then
> a
> sidebar has "Prodigious Performers: three virtuosos who inspired cult
> followings and made unforgettable music:" a tiny photo and short
> paragraph
> each for Maria Callas, Vladimir Horowitz, and Leonard Bernstein. All
> three are of course the "wow the crowds" type.
>
> What do you think of their choices?
>
> Personally, I would have put Stravinsky first, Bernstein a close
> second.
> Then I'd put Rachmaninoff: on the evidence of their recordings, he was
> at
> least as gifted a pianist as Horowitz (better, in my opinion), plus he
> composed and conducted, and his compositions are very popular and
> accessible. (But he perhaps wasn't rated as "progressive" enough to
> make
> the list.) Then GG, as much for his influence on the recording
> industry
> and for his thoroughly 20th-century musical approach as for his
> performances. Then if there was a fifth spot, maybe Nikolaus
> Harnoncourt:
> as conductor, player, and writer he takes historical scholarship
> seriously, fitting it into an especially vital performance style (and
> having a huge discography, both on old instruments and on modern
> instruments). Horowitz *might* make it into the next five, but I'm
> not
> sure about that. I'd have to get Leonhardt and Landowska in there
> somewhere for their immense influences on 20th-century performance
> styles,
> and maybe get some more composers in there. If Callas was to be on a
> list
> at all, I think they should have made a separate opera or vocal
> category
> instead of sweeping all of "classical music" into one, and I'd put
> Dietrich Fischer-Dieskau ahead of her...but she was before my time and
> outside the areas of my interest, and so I don't know much about her.
>
> Other opinions on how "classical musicians of the century" should be
> ranked?
>
> Bradley Lehman ~ Harrisonburg VA, USA ~ 38.45716N+78.94565W
> bpl@umich.edu ~ http://www-personal.umich.edu/~bpl/
>
>