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I've been working on the 5th prelude (in E Major)
from the Six Little Preludes and noticed that the Glenn Gould harpsichord
recording of it is one semitone lower, as if it were written in E Flat Major.
Does anybody have any idea why? I guess it could be because of some kind of
deterioration of the original recording media (tape stretching maybe), because
all of the six preludes are one semitone lower. Any thoughts?
Cristian |