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Re: GG: Bringing Out Voices
"The Kazdin Book". Is it any good? And is it available in the UK? I've
never seen it and my mum is asking me what I'd like for Xmas... I'd love
to know.
Martin
ps: Those of you waiting for news of the BBC's propsed Glenn Gould
Night: firm commissioning will take place after Xmas because we have a
new network controller, but at the moment things look very good.
Naturally I'm proposing that any Gould theme night should begin at
midnight and finish at 06:00, but the network seem to think the audience
figures might suffer... Some people have no integrity.
>From owner-f_minor@email.rutgers.edu Thu Dec 17 16:57:26 1998
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>Date: Thu, 17 Dec 1998 17:25:40 -0500 (EST)
>From: Bradley P Lehman <bpl@umich.edu>
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>To: "John P. Hill" <jphill@frank.mtsu.edu>
>cc: "'f_minor@email.rutgers.edu'" <f_minor@email.rutgers.edu>
>Subject: Re: GG: Bringing Out Voices
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>On Thu, 17 Dec 1998, John P. Hill wrote:
>
>> Let's face it; Gould had the *chops* to bring any voice he wanted to
out
>> of the texture. He really didn't need separate tracks and faders to
>> accomplish that end. But your point is well-taken that GG was
>> fascinated by the available technology and wanted to try all the
inherent
>> possibilities. The multimic pair perspective experiments on the
Sibelius
>> recordings would be another example.
>
>For somebody in the 1970's who did use multi-tracking of keyboard
>extensively to get spatial and dramatic effects, check out the two
volumes
>of "Spaced-Out Bach" by Joseph Payne on RCA LP's. It's all
harpsichord,
>but like no harpsichord ever heard live in captivity. Same additive
>technique as the Moog "Switched-On Bach" of Carlos, but with acoustic
>inputs rather than electronic. And from his other normal albums, it's
>clear that Payne doesn't need the technical help; he really can play.
>
>And there's that E. Power Biggs quad album where he multi-tracks four
>organs from different parts of a church. Recently I picked up a
>multi-tracked LP by The Chieftains' harpist, "Derek Bell Plays With
>Himself." (harps, keyboards, oboes) Didn't Keith Jarrett also record
>some things with sax and keyboards, playing all the parts?
>
>Anybody know if GG had copies of any of the Bill Evans multi-tracked
>albums in his collection? As many notes as GG's version of the
>Meistersinger Prelude! (Did GG work from scratch on that arrangement,
or
>borrow textures from the Tausig/Horn version for piano duet? I know,
he
>claimed it was his own, but the last few minutes sound remarkably
similar.
>Molnar & Rezmuves, on Amadis 7152)
>
>Bradley Lehman ~ Harrisonburg VA, USA ~ 38.45716N+78.94565W
>bpl@umich.edu ~ http://www-personal.umich.edu/~bpl/
>
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