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difference between sound & no sound
Probably not many fminors indulge in wild flings with stacks of free
jazz records, but I had a few 3 a.m. thoughts recently concerning a
Yehudi Menhuin comment you'll likely find familiar. To be specific, the
'impromptu' theory (documented on Sony's video series #4, I think) that
12 tone music has so much pointillism in order to give contrast between
sound & no sound (where contrast between consonance and dissonance is no
longer possible). I'd agree that Lord Yehudi's statements hold some
water, but I can think of at least a couple large ensemble experimental
jazz records where harmonic traditions are absent, plenty of contrast is
present, and yet there's not a pause to be found anywhere for eighty
minutes. Not sure whether I could come up with any composed (as opposed
to improvised) music that could provide a similar counterexample. Any
takers? Rebuttal? Thanks for your time.
--
-hockey@twistedvillage.com
Twisted Village Records
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Phone: (617) 354-6898
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