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More about Notebook
When I went home on Friday night, I flipped through my
Notebook for AM Bach to see what is there. Two partitas and
two French suites, to start with. I thought I had
remembered some movements from the Overture in French Style
but I must have been mistaken. Several works that are
clearly indicated as being by composers other than JSB,
including Mr. Couperin. A few chorale settings and the like
that I think we would all agree are by JSB. And dozens and
dozens of miniature pieces that are presumed to be by JSB
but I can certainly dig the notion that some of them might
not be.
Some of these miniatures are extraordinarily groovy, IMHO.
It is easy to dismiss them as music for children and
amateurs, but there are many strokes of brilliance
throughout. Much keen insight on how a piece of music
should be organized, be it long or short. Seems to indicate
the work of the master but still true regardless of who the
composer is . . .
Incidentally, in flipping through my reference materials,
what does seem to have been dismissed by scholars is the
notion that JSB was primarily responsible for the *content*
of the Notebook. Apparently he got it started with a few
works of his own and then ignored it, so that AMB was
primarily responsible for what went into the notebook during
her lifetime. She just included a lot of her spouse's work.
Is that consistent with what you have read?
Mark