Last night I listened to Glenn play the Moonlight. On two occasions
he
had to be pulled over by the traffic cops for speeding in a zone rated
for moderation. On the third occasion he jumped to Warp Factor 3 and
the radar guys just scratched their heads.
Honestly folks, Glenn just obliterated any sense of wonder and mystery
in this piece and I have no idea what he was thinking. He just
assassinated the inner calm and grace that lies in the first two
movements. He opted in the first movement to display a moonlit lake
that was in a hurry to get it over with and go back to sleep. The
second movement was like a horse on a steady loping fast-walk through
the marshes. The third movement defies all description. It was like
he
was in a Mozart-kill-this-music mood and he just ripped through it
faster than a human should try to.
Is it just me or did he destroy this piece? I know he loved Beethoven
and so I am mystified by his playing.
Comments?
Regards,
Fred Houpt
Toronto
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